Professional Eye

U.S.A.

Lindsay Adler

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  EOS R5・RF100-300mm F2.8 L IS USM・300mm・1/5000 sec.・f/2.8・ISO100

  

  RF100-300mm F2.8 L IS USM

  I created this image on my first shoot with the RF100-300mm F2.8 L IS USM. While this is not ‘typically’ a fashion lens, I wanted to see how I could combine the beautiful 300mm compression with the wide aperture. I took my beautiful model Paula to a park across from Manhattan, where I could place the cityscape out of focus behind her. This is one of many dramatic shots we captured that day! 

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  EOS R5・RF24-70mm F2.8 L IS USM・31mm・1/800 sec.・f/2.8・ISO100

  

  RF24-70mm F2.8 L IS USM

  Purposeful colour harmonies lead to more successful images. In this scene I wanted a nearly monochromatic colour scheme with golden hair (wig), golden dress, golden makeup and golden light. All of the elements had that beautiful and rich golden hue, except for the hay surrounding my subject. I used colour grading to shift the greens of the hay to more yellow/red. By using a narrow depth of field, I helped to simplify my background while still communicating a sense of depth. 

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  EOS R5・RF24-70mm F2.8 L IS USM・61mm・1/200 sec.・f/4・ISO800

  

  RF24-70mm F2.8 L IS USM

  I am always attracted to images that are bold, graphic and colourful. Here I collaborated with my friend and model Bryona Ashly to create this bold image during one of my intensive workshops. The concept began with those amazing heels, then she sourced the gloves, I decorated the box using wallpaper, and used a specialty gobo on the background. Collaboration is essential in my work, and pre-planning helps bring all of the elements together. 

Taiwan

Estrella Chuang

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  EOS R5・RF15-35mm F2.8 L IS USM・17mm・5 sec.・f/2.8・ISO4000

  

  RF15-35mm F2.8 L IS USM

  First time to capture tricoloured aurora dancing above the Jokulsarlon glacier lagoon in Iceland. Aurora gave the most beautiful dance in the air, with the lake reflecting the richest colours ever.

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  EOS R5・RF70-200mm F4 L IS USM・156mm・15 sec.・f/8・ISO800

  

  RF70-200mm F4 L IS USM

  A rare scene of a sea of clouds during climate change in a certain season. Captured high above, the clouds move turbulently like sea waves, making the city look like it’s floating on the clouds.

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  EOS R6・RF100-500mm F4.5-7.1 L IS USM・100mm・10 sec.・f/10・ISO320

  

  RF100-500mm F4.5-7.1 L
  IS USM

  Just when the sun faintly shimmered, summer morning clouds in the Langyang Plain dyed the sky red, while glimmers in the fields and in the city enriched the morning glow gorgeously.

India

Sundeep Gajjar

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  EOS R3・RF24-240mm F4-6.3 IS USM・34mm・1/640 sec.・f/4.5・ISO100

  

  RF24-240mm F4-6.3 IS USM

  In the background is the Eldborg volcanic crater in Iceland. I spotted this while on my 3,000 km ride around Iceland on a motorcycle. Iceland’s landscapes look surreal because of the volcanic formations and lack of trees in general. This was my 64th country on a motorcycle. I shot with Canon R3 using the versatile RF24-240mm F4-6.3 IS USM lens that I choose when there’s less space.

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  EOS R3・RF15-35mm F2.8 L IS USM・15mm・1/50 sec.・f/22・ISO200

  

  RF15-35mm F2.8 L IS USM

  One of the world’s fastest bikes is Ninja H2, and one of world’s largest capacity motorcycles is Rocket 3R. Witnessing these together is a breathtaking sight. I did a shoot of the two when I finally owned them together! And what better camera to use than EOS R3 with RF15-35mm f/2.8 L IS USM lens.

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  EOS R3・RF15-35mm F2.8 L IS USM・15mm・1/20 sec.・f/10・ISO100

  

  RF15-35mm F2.8 L IS USM

  I captured these images using a Canon EOS R3 paired with an RF15-35mm F2.8 L IS USM lens during my testing of the EOS R3 upon its release. Seated as a passenger, I suspended the camera from one hand, employing a slow shutter speed to achieve the unique effects seen in these photos. Throughout the journey, I alternated between driving and riding alongside two colleagues, seizing opportunities to capture moments whenever possible.

Philippines

Jijo De Guzman

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  EOS R6 Mark II・RF100-300mm F2.8 L IS USM・300mm・1/1250 sec.・f/7.1・ISO1250

  

  RF100-300mm F2.8 L IS USM

  Water Polo is such a special and unique sport. For one reason, it’s the only Olympic ball sport that is played in the water. In the photo is Philippines National Water Polo Team veteran Maui Valdez. When shooting sports, I always try to look for additional elements that can add dynamism to a shot and make it more compelling. Here, I captured the water movement as it trailed the ball after the player picked it up. This action was a delightful addition to the intense emotion of the player.

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  EOS R3・RF100-300mm F2.8 L IS USM・300mm・1/1250 sec.・f/3.2・ISO640

  

  RF100-300mm F2.8 L IS USM

  Swimming is close to my heart. I grew up as a competitive swimmer and still swim regularly up to now. In the photo is my 14-year-old godson Enzi. I framed tight to capture the character of the water and positioned on a spot that will give me a bit of side-lighting for nice soft shadows, all to produce an engaging shot. A swimmer doing the breaststroke will go in and out of the water. The AF capabilities of the EOS R3 dealt with that specific shooting condition flawlessly.

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  EOS R3・RF100-300mm F2.8 L IS USM・300mm・1/2000 sec.・f/2.8・ISO1250

  

  RF100-300mm F2.8 L IS USM

  Austin Reeves of Team USA (#15) was the most popular player during the FIBA Basketball World Cup 2023. He was clearly the crowd favorite. He's a slasher and I'm so glad that I was able to capture him doing one of his midair acrobatic moves. It was my first time to use the RF100-300mm F2.8 L IS USM in shooting basketball and I immediately loved it. The f/2.8 opening and the 300mm reach are perfect when shooting behind the baseline.

Germany

Radomir Jakubowski

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  EOS R5・RF400mm F2.8 L IS USM・400mm・1/320 sec.・f/2.8・ISO800

  

  RF400mm F2.8 L IS USM

  This image shows the European Brown Bear© taken in the Bavarian National Park. The brown bear is one of our biggest mammals in Europe, even if it’s a predator, and even though it is a carnivore, the brown bear generally eats a vegetarian diet. In past years, the population of brown bears, mainly in east Europe, has been increasing.

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  EOS R5・RF100-500mm F4.5-7.1 L IS USM・428mm・1/250 sec.・f/6.3・ISO800

  

  RF100-500mm F4.5-7.1 L
  IS USM

  The Alpine ibex (Carpa ibex) has fascinated man since the Stone Age. Impressive horns of up to 100cm length, a stately weight of up to 120kg and unbelievable abilities to move in the mountains fascinate the observer. I took this image on a foggy day, that's why the background is so perfectly blurred.

South Korea

Jongryul, Lee

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  EOS R5・RF100-500mm F4.5-7.1 L IS USM・270mm・1/800 sec.・f/5.6・ISO320

  

  RF100-500mm F4.5-7.1 L
  IS USM

  I've captured the elegance of birds and the beauty of their habitats in my photography, showcasing the grace of their lives.

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  EOS R5・RF100-500mm F4.5-7.1 L IS USM・500mm・1/1000 sec.・f/14・ISO200

  

  RF100-500mm F4.5-7.1 L
  IS USM

  The sight of birds in the landscape illuminated by the sunset evokes the essence of a traditional Korean ink painting.

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  EOS R5 mark Ⅱ・RF 800mm F5.6 L IS USM・800m・1/1250 sec.・f/5.6・ISO200

  

  RF800mm F5.6 L IS USM

  I captured a Horned Grebe hidden in the reeds using Eye-Tracking AF. It was a scene that used to be difficult to photograph in the past.

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  EOS R5 mark Ⅱ・RF 800mm F5.6 L IS USM・800m・1/1000 sec.・f/5.6・ISO200

  

  RF800mm F5.6 L IS USM

  I quietly tracked the movement of the Horned Grebe using Eye-Tracking AF. The Horned Grebe, sensitive to even the smallest sounds, is difficult to photograph.

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  EOS R5 mark Ⅱ・RF 800mm F5.6 L IS USM・800m・1/1250 sec.・f/5.6・ISO200

  

  RF800mm F5.6 L IS USM

  There wasn't a single moment where the focus blurred during the Horned Grebe's movement. I quietly captured every scene through continuous shooting.

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  EOS R5 mark Ⅱ・RF 800mm F5.6 L IS USM・800m・1/1250 sec.・f/5.6・ISO200

  

  RF800mm F5.6 L IS USM

  There wasn't a single moment where the focus blurred during the Horned Grebe's movement. I quietly captured every scene through continuous shooting.

Taiwan

Wise Lee

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  EOS R5・RF15-35mm F2.8 L IS USM・15mm・1.3 sec.・f/22・ISO200

  The sunset reflect on Hehuan Mountain – Azalea

  

  RF15-35mm F2.8 L IS USM

  The long gone deadwood of Azalea preserved her beauty of figures under the dim of sunset, quietly waiting for destined photographer to document her glamour.

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  EOS R5・RF15-35mm F2.8 L IS USM・35mm・240 sec.・f/16・ISO1600

  The most beautiful night light — The Blue Tears of Matsu

  

  RF15-35mm F2.8 L IS USM

  Matsu, a battlefield that once experienced nighttime artillery fire during the war, has turned into a beautiful island that never sleeps due to the appearance of blue tears, lighting up the coastline at specific seasons with the right timing.

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  EOS R5・RF15-35mm F2.8 L IS USM・15mm・5 sec.・f/18・ISO200

  The wonders of nature — bouldering sacred trees

  

  RF15-35mm F2.8 L IS USM

  With a wave of nature's magic wand, the huge boulder wrapped itself into the tree, creating a stunning scene like a living fiction!

Germany

Robert Marc Lehmann

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  EOS R5・RF100-500mm F4.5-7.1 L IS USM・100mm・1/8000 sec.・f/5.6・ISO3200

  

  RF100-500mm F4.5-7.1 L
  IS USM

  The red kite, with the scientific name Milvus milvus, is a bird of prey with a graceful contrast of white and reddish brown. Because of its beauty, the red kite was overhunted in Europe to make stuffed birds (taxidermy), and its population declined rapidly. The precise AF performance of the RF100-500mm F4.5-7.1 L IS USM captures the graceful flight of this red kite from the front.

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  EOS R5・RF100-500mm F4.5-7.1 L IS USM・300mm・1/4000 sec.・f/5.6・ISO4000

  

  RF100-500mm F4.5-7.1 L
  IS USM

  This is the moment when the RF100-500mm F4.5-7.1 L IS USM caught the moment the red kite made a dive for its prey on the surface of the water with its manoeuvrability and precise autofocus. Although the flight was extremely quick, the fearless expression and sharp claws were evident in this dynamic image.

India

Rahul Sachdev

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  EOS R5・RF70-200 f/2.8 L IS USM・70mm・1/2 sec.・f/2.8・ISO200

  The Soul

  

  RF70-200mm F2.8 L IS USM

  A slow shutter and some fabulous work at high-ISOs by the EOS R5 allowed me to make this frame of an impala stag drinking at a waterhole in Kenya on a moonless night. I call it the Soul as that’s what it feels like with the trail left due to the slow shutter.

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  EOS R5・RF24-70mm F2.8 L IS USM・24mm・1/250 sec,・f/6.3・ISO1600

  

  RF24-70mm F2.8 L IS USM

  The Keoladeo Park in Bharatpur, India is probably the most enchanting of water worlds that I have had the pleasure to experience. Having witnessed many winters here, I keep looking forward to the winter fog that seemingly protects the place. This image kind of represents the place to me.

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  EOS R5・RF24-70mm F2.8 L IS USM・24mm・1/640 sec.・f/22・ISO2000

  

  RF24-70mm F2.8 L IS USM

  Elephants in Amboseli, Kenya make this journey across the dry lakebed every single day in search of water, and in years like 2022 when there is a drought, it becomes all the tougher. The dance of death and life would not be complete without us humans, as we affect so much of the world around us. Hence the vehicle being there at the right moment completed the frame for me. A low angle was needed to have the impact I feel.

Japan

Yuki Ueda

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  EOS R5・RF24-105mm F2.8 L IS USM・24mm・1/320 sec.・f/18・ISO320

  Everest

  

  RF24-105mm F2.8 L IS USM Z

  Everest. I wanted to see the world of the highest place on earth, so I set my sights on its summit. The black sky that reminded me of outer space. Extremely low temperatures that froze my body and soul. The fear of death that approached so close to me. When I overcame all that, there was nothing higher than me on earth. This is a record of my journey to the summit of the world’s highest peak.

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  EOS R5・RF24-105mm F2.8 L IS USM・64mm・1/320 sec.・f/6.3・ISO50

  Namaqualand

  

  RF24-105mm F2.8 L IS USM Z

  The desert region of Namakwaland in northwestern South Africa. This region is completely a desert for most of the year; however, only for a few weeks in late August, a landscape of flower fields emerges, stretching beyond the horizon. It is as if a god have worked a capricious miracle, and people in this local call it the “Flower-garden of the Gods”.

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  EOS R5・RF15-35mm F2.8 L IS USM・35mm・1/320 sec.・f/6.3・ISO100

  Humpback whale

  

  RF15-35mm F2.8 L IS USM

  After conquering the world’s highest mountain, Everest, I decided to travel the oceanic worlds. My first stop was the French territory of Tahiti, to take pictures of humpback whales over 15 meters long. It was difficult to capture images of the delicate wildlife, but after two weeks of swimming every day, I was able to get a few chances.

U.S.A.

Roberto Valenzuela

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  EOS R5・RF100-300mm f/2.8L IS USM・251mm・1/160 sec.・f/2.8・ISO100

  

  RF100-300mm F2.8 L IS USM

  This is one of my favorite techniques I use for outdoor on-location photography. The technique consists of letting the shadow graphics from the nearby tree project on the wall behind the subjects but use a diffuser overhead to clean the light on the subject’s faces. Last, but not least, add a flash to make the subjects pop from the background with a large modifier to keep the lighting soft and flattering. This photo was taken with my absolute favorite lens, the Canon RF100-300mm F2.8 L IS USM. This lens can do it all!

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  EOS R5・RF85F1.2L USM DS・85mm・1/1600 sec.・f/2・ISO100

  

  RF85mm F1.2 L USM DS

  Photo of former Miss Universe 2022 R’Bonney Gabriel Nola: This photo of R’Bonney was taken in the Sonoran Desert in Tucson Arizona during The Photo Creators Conference. The spiky large cactus provided great juxtaposition with the soft dress material R’Bonney was wearing. The Canon RF 85mm F1.2 really shines in situations like this, where the background is relatively close to the subject, but with this lens, it is possible to still achieve a great blur in the background to create separation. A 3-stop magnetic ND filter was used to lower the exposure and allow for the flash to function within its flash sync speed.

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  EOS R5・RF28-70mm F2L USM・70mm・1/200 sec.・f/3.5・ISO100

  

  RF28-70mm F2 L USM

  Photo of Latin actor Fernando Noriega. There is a time and a place to take some risks. During this photoshoot with Fernando Noriega, I had already taken all the clean safe shots for this magazine editorial. Therefore, it was time for some risk taking. I used these home décor plants as a way to create a frame around his face. This will draw the viewer’s attention right to his upper body. Since the leaves were the same colour palette as the rest of his outfit, they served perfectly as a monochromatic frame without creating any distractions.

  For another version of shots, to make the perspective more interesting, I asked Fernando to lie down on the corner of his couch. For this series of shots, I stood up on a stool to get a bird’s eye view and shot these photos with my arms extended as far up as I could. I relied 100% on the Canon EOS R5’s eye tracking auto focus capabilities to keep the eye tack sharp, even though I couldn’t see the screen very well from my angle. The Canon RF28-70mm F2 L USM was the perfect lens for this, since it allowed me to zoom in and out until the perfect frame and composition was achieved. From of all the photos featured in GLOW magazine from this shoot, this was the chosen photo for the cover of the article. Sometimes, risks pay off much more than you can imagine.

Malaysia

Johnson Wee

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  EOS R8・RF15-35mm F2.8L IS USM・24mm・1/160 sec.・f/5.6・ISO320

  Couple with the Lone Wanaka Tree

  

  RF15-35mm F2.8 L IS USM

  This wedding couple was so in awe of the famous Lone Wanaka Tree in Wanaka, New Zealand, but when we arrived there, we were totally gobsmacked due to the number of landscape photographers surrounding the famous tree. There were at least 30-40 photographers, all with their cameras on tripods, all of them enthusiastically enjoying the popular tree against the stunning backdrop. We politely asked if we could have a short 5 minutes, so that we could place the couple near the tree. The group of landscape photographers kindly obliged, and we created this memorable image within 3 minutes.

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  EOS R5・RF24-105mm F4L IS USM・43mm・1/200 sec.・f/10・ISO8000

  Till We Grow Old

  

  RF24-105mm F4 L IS USM

  This was another unforgettable adventure we had in Barcelona, Spain, where the couple brought us to this stunning architecture by the great Ricardo Bofill. However, when we arrived there, we got kicked out as we weren’t familiar with the procedure and the building was very strict as it is actually a residence. We eventually had to come back later in the day, and we tried to create some shots on the outside of the building (this exact spot) and suddenly an old couple appeared with the guy pushing the old lady on a wheelchair into the scene: a perfectly imperfect scene that totally juxtaposed with what we had set up on the staircase.

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  EOS R6・RF24-70mm F2.8L IS USM・42mm・1/250 sec.・f/7.1・ISO400

  Modern Day Rapunzel

  

  RF24-70mm F2.8 L IS USM

  Being in love with the mesmerizing creations of Tadao Ando, the beautiful Tamarind Square has scenes reminiscent of his style. This beautiful image was taken in between the Covid lockdown so we had to go somewhere not crowded and within the lockdown restriction rules, and this beautiful tower helped us create the Rapunzel fairy tale story, with the super long veil in place of the long golden hair to create a modern-day version of the story.

Canada

Kate Whyte

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  EOS R5・RF85mm F1.2 L USM・85mm・1/125 sec.・f/7.1・ISO100

  

  RF85mm F1.2 L USM

  The Canon RF85mm F1.2 L USM excels in capturing the essence of colour. The makeup corresponds with the backdrop colour creating a captivating composition. Every shade and texture on the model’s face is brought to life with vivid clarity. This remarkable optical quality ensures that every minute detail, from the shimmering pigment of eyeshadow to the softest contours of the lips, is impeccably sharp. In this beauty portrait, the RF85mm F1.2 L USM elevates the art of photography by emphasizing colour accuracy and sharpness resulting in a mesmerizing depiction of beauty.

  Model: Perth
  MUA: Karla Cruz

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  EOS R5・RF85mm F1.2 L USM・85mm・1/250 sec.・f/8・ISO160

  

  RF85mm F1.2 L USM

  In this beauty portrait, the Canon RF85mm F1.2 L USM has masterfully elevated the artistry of light and shadow. The unrivalled ability of the lens to create a shallow depth of field, places the spotlight squarely on the model. It captures a striking level of detail, allowing every contour of the face to be beautifully pronounced. The shadows, cast by the palm fronds, accentuate the delicate curves and lines of her features. The result is a photographic portrait that is a work of art that celebrates the interplay of light and shadow.

  Model: McKenna

Malaysia

Liew WK

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  EOS R7・RF100-500mm F4.5-7.1 L IS USM・500mm・1/200 sec.・f/7.1・ISO1600

  

  RF100-500mm F4.5-7.1 L
  IS USM

  A really amazing moment caught very early in the morning as an orangutan mummy was playing with her baby. They both noticed we were staring at them through binoculars and a camera... For the following 6-7 years, the infant will look after and accompany his mother while she learns survival tactics in the wild. Let us safeguard them by conserving their surroundings so we can continue to watch over this lovely creature in the future for generations to come.

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  EOS R3・RF100-500mm F4.5-7.1 L IS USM・661mm・1/1320 sec.・f/10・ISO400

  

  RF100-500mm F4.5-7.1 L
  IS USM

  Wallace's Hawk-Eagle is a medium-sized eagle. It is invaluable to be able to spot it at eye-level and in close view of the parent bringing food back for her baby. The raptor's expression is a reminder to us to not bother her and her baby.

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  EOS R3・RF400mm F2.8 L IS USM・560mm・1/2000 sec.・f/7.1・ISO1600

  

  RF400mm F2.8 L IS USM

  As morning breaks, the Dusky Eagle-Owl, which is uncommon in Malaysia, prepares to return to its roosting place. With today's advanced technologies, taking a photo only requires pressing the shutter button. Don't disturb the creature if it decides to return to sleep. Respect nature.

Indonesia

Ranar Pradipto

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  EOS R5・RF15-35mm F2.8 L IS USM・15mm・1/250 sec.・f/7.1・ISO1000

  Paradise of Paisupok Lake — Banggai Island, Central Sulawesi

  

  RF15-35mm F2.8 L IS USM

  This lake captivated me with its pristine clarity, presenting a transparent vista that surpasses any I have witnessed and captured.

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  EOS R5・RF35mm F1.8 MACRO IS STM・35mm・1/6 sec.・f/22・ISO100

  Beautiful Sunrise — Bromo, East Java

  

  RF35mm F1.8 MACRO IS STM

  Bromo consistently offers an enchanting atmosphere for photographers, beginning with its breathtaking views, the vibrant activities of the Tengger tribe, and the warm hospitality of the local residents.

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  EOS R5・RF15-35mm F2.8 L IS USM・15mm・1/640 sec.・f/8・ISO1600

  The Bakar Tongkang Ritual

  

  RF15-35mm F2.8 L IS USM

  The Bakar Tongkang Ritual or Go Ge Cap Lak is a religious tradition held once a year for the Chinese people of Bagansiapiapi, Riau to commemorate their ancestors and express gratitude to Gods Kie Ong Ya and Tai Sun, by burning a replica of a barge.

Indonesia

Aldo Sinarta

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  EOS R5・RF85mm F2 MACRO IS STM・85mm・1/100 sec.・f/2・ISO100

  

  RF85mm F2 MACRO IS STM

  Double trouble with the RF85mm F2 MACRO IS STM. Zooming in wasn't merely about capturing details; it was a journey to unleash the power of expression. Each pixel transformed into a brushstroke, contributing to the larger-than-life canvas of emotions. I chose two colours — red and green — that either complement or contrast for maximum impact. Let's continue to keep the vibrant conversation alive!

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  EOS R5・RF24-70mm F2.8 L IS USM・50mm・1/1600 sec.・f/2.8・ISO200

  

  RF24-70mm F2.8 L IS USM

  We attempted to reveal beauty from a fresh perspective by playing with light against the moonlit backdrop. The union of intense shadowing and moonlight extends beyond the initial capture. A touch of post-processing magic brings forth subtle nuances, elevating the overall visual experience.

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  EOS R5・RF24-70mm F2.8 L IS USM・29mm・1/5 sec.・f/10・ISO125

  

  RF24-70mm F2.8 L IS USM

  Teaming up with my favorite Indonesian rock legends for their new album was a dynamic journey of creativity. Endowed with the liberty to explore concepts and experiment with light, I immersed myself in the soul of their music. Inspired by the pulsating beats, we delved into shutter drag techniques, yielding artwork that resonates with the electrifying essence of their sound.

Philippines

Edwin Martinez

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  EOS R5・RF100-500mm F4.5-7.1 L IS USM + EXTENDER RF1.4x・ 560mm・1/500s・f/9・6400

  

  RF100-500mm F4.5-7.1 L IS USM

  These are my favorite captures of the Resplendent Quetzal. According to National Geographic, the resplendent quetzal is an aptly named bird that many consider among the world's most beautiful. These vibrantly coloured animals live in the mountainous, tropical forests of Central America where they eat fruit, insects, lizards, and other small creatures.The resplendent quetzal is considered near threatened on the IUCN Red List, with habitat destruction being the main threat. It has an important role in Mesoamerican mythology, and is closely associated with Quetzalcoatl. Presently, it is the national animal of Guatemala, being pictured on the flag and coat of arms; it also gives its name to the country's currency, the Guatemalan quetzal.

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  EOS R5・RF100-500mm F4.5-7.1 L IS USM・500mm・1/2000s・f/7.1・6400

  

  RF100-500mm F4.5-7.1 L IS USM

  A SINGLE ENCOUNTER...when we were photographing hummingbirds in one of our hotels, this particular species made a single appearance and we never saw it again for the rest of the tour. Spectacular large hummingbird of humid tropical lowlands. Favors shady forest understory and edges, especially with patches of Heliconia flowers. Males sit and sing tirelessly from perches in the understory while pumping their tail. When feeding, hovers briefly with long white tail streamers held nearly vertical and shoots off with an explosive squeak. Note the striped face, very long, arched bill, and rather drab plumage. Unlike many hummingbirds, hermits do not defend a patch of flowers but zip between widely scattered flowers, a strategy known as traplining (like it is checking widely scattered nectar traps).

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  EOS R5・RF100-500mm F4.5-7.1 L IS USM + EXTENDER RF1.4x・700mm・1/1000s・f/10・1000

  

  RF100-500mm F4.5-7.1 L IS USM

  There are several theories as to why the king vulture was given its name; one theory suggests it comes from a Mayan legend that believed the vulture to be a messenger between humans and the gods and the vulture was personified as a Lord or King. There are several theories as to why the king vulture was given its name; one theory suggests it comes from a Mayan legend that believed the vulture to be a messenger between humans and the gods and the vulture was personified as a Lord or King.The king vulture has one of the most powerful beaks of all American vultures and can open carcasses that other vultures cannot. For this reason, they often eat first and other vultures feed off the remains.

Japan

Yusuke Okada

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  EOS R6 Mark II・RF70-200mm F2.8 L IS USM・86mm・1/125・F2.8・640

  

  RF70-200mm F2.8 L IS USM

  Early in the morning in the Falkland Islands, as the sky turns pink with the morning glow, king penguins and gentoo penguins are heading out to sea to hunt. At first glance, the scene looks peaceful. But lurking in the surf are their natural enemy, the sea lions (otters), waiting for them to enter the water. Their march to the sea is a tense, life-threatening event. As I lined up this shot, a rainbow appeared over the ocean. I snapped the shutter, hoping the penguins would be safe.

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  EOS R6 Mark II・RF70-200mm F2.8 L IS USM・142mm・1/350・F4・200

  

  RF70-200mm F2.8 L IS USM

  Walking around the penguin colony, I happened upon a pair of penguins romancing each other in the mist. The silence and stillness of the mist and the shallow water created an atmosphere of calm security, unlike the tension in the sea where natural enemies await.

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  EOS R6 Mark II・RF70-200mm F2.8 L IS USM・84mm・1/125・f2.8・125

  

  RF70-200mm F2.8 L IS USM

  A line of penguins walked slowly through a flock of sheep, on their way to the sea. Neither group took any interest in their neighbors. The penguins strolled along like a pack of people out for a morning walk, cackling away in casual conversation. They reminded me not so much of penguins, but of certain people that I know.